Wizardry 8 is the eighth and final title in the Wizardry series of role-playing video games by Sir-Tech Canada. It is the third in the Dark Savant trilogy, which includes Wizardry VI: Bane of the Cosmic Forge and Wizardry VII: Crusaders of the Dark Savant. It was published in 2001 by Sir-Tech, and re-released by Night Dive Studios on GOG.com and Steam in 2013.
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Wizardry 8 | |
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Developer(s) | Sir-Tech Canada |
Publisher(s) | Sir-Tech Night Dive Studios (digital) |
Producer(s) | Linda Currie |
Designer(s) | Brenda Romero Linda Currie Alex Meduna Charles Miles |
Programmer(s) | Derek Beland Alex Meduna |
Artist(s) | Kristofer Eggleston James Ferris |
Writer(s) | Brenda Romero |
Composer(s) | Kevin Manthei |
Series | Wizardry |
Platform(s) | Microsoft Windows, Mac OS |
Release | November 14, 2001 (Win) March 25, 2014 (Mac) |
Genre(s) | Role-playing video game |
Mode(s) | Single-player |
The ultimate aim of the game is to collect three artifacts and to place each artifact on its pedestal in the final zone. This allows ascension to the Cosmic Circle, where the player becomes a god. There are four main paths to proceed through the game: allying with either the T'Rang or Umpani, allying with both, or being enemies with both. In addition, players can also choose to gain friendship with the Rattkin or the Trynnie, and players can choose whether or not to ally with the Rapax, Rattkin, Razuka, or Mook (though none of these choices affect the ending of the game).
As with the first two installments of the Dark Savant trilogy, Wizardry 8 has multiple beginnings that continue from the previous games' multiple endings. There are five beginnings in all. Characters imported from Wizardry VII start in the Umpani stronghold or in the T'Rang stronghold, depending on the player's alliance. If the imported characters failed their mission in Wizardry VII, resulting in their banishment into space, they are given a message that they are "still floating in endless darkness" and are not allowed to start their adventure in Wizardry 8. New characters or unallied characters imported from the previous game start in the Higardi monastery.
In the final area of Wizardry VII, the Isle of Crypts, the player has a choice to tell their enigmatic partner, Vi Domina, whether or not they have a way to leave the planet Guardia. They have the option of telling the truth and informing her that they found a spaceship, or lying and saying that they have no way to leave. If the party follows the path of truth, the Girl and Globe endings are open to them. If they lie, the Umpani, T'Rang and Globe endings are open to them.
Whatever the circumstances of the party's entrance into the world of Dominus, the goal of finding the three artifacts needed to ascend to godhood remains unchanged. They must find the Astral Dominae (the key to life, held at the start of the game by the Dark Savant), the Destinae Dominus (the key to knowledge and which, stolen before the start of the game by the thief Marten) and the Chaos Moliri (the key to change, held at the start of the game by the Mook).
The party ends up procuring each of these artifacts through different means, they acquire the Astral Dominae when the Rattkin, who came to Dominus on the heels of the Umpani and the T'Rang on a stolen T'Rang ship, rob the device from the Savant and sell it to the party. The Chaos Moliri arrives in their hands once they've allied with the Umpani and/or the T'Rang, who provide the party with a letter that allows them access to the Mook compound, and then steal the device from the Mook (alternatively, they may murder either the Umpani or T'Rang leader, steal the alliance letter from their corpse, and then enter into an alliance with the Mook under false pretenses). Finally, they follow the footsteps of the thief Marten to the Sea Caves, and his ghost entrusts them with the safety of the Destinae Dominus.
Once all three artifacts are in their possession, the party goes to Ascension Peak to begin the path to godhood, only to find the path blocked off by the Rapax; a warlike race of demonic beings. After travelling to their castle and becoming Rapax Templars, which involves sleeping with (and impregnating) their demon goddess, the way to the Peak is finally open. The party climbs to the very top of Ascension Peak, places the three objects in their receptacles, and enters the Cosmic Circle on the heels of the Savant. It is not required for the party to join with the Rapax, as they may set a portal on Ascension Peak before the Rapax block the path, and can teleport in later as they wish.
In the Cosmic Circle, the Dark Savant has already arrived and is speaking with Aletheides, the cyborg that the party either joins or follows to planet Guardia in Wizardry VII, depending on their choices in Wizardry VI. He demands to know where the Cosmic Lords are, but Aletheides simply says that they are gone. The Dark Savant kills him in anger, and the party approaches. When they do, they find that the Cosmic Forge is back in the Circle where it should be (its theft is detailed in Wizardry VI).
The Dark Savant reveals that he is, in fact, Phoonzang, the enigmatic god figure from both Wizardry VII and 8, and a former Cosmic Lord. The other Cosmic Lords cast him down for trying to share the knowledge of the universe with mortals (e.g., humans, T'Rang, elves), and he was forced to become part machine to continue to live past a normal man's lifespan. He then offers the party the chance to join him, and become Cosmic Lords along with him.
The party, at this point, has three choices which lead to different endings:
In Wizardry 8, players create a party of six adventurers at the start of the game. Each race and class has a balance of strengths and weaknesses. The various races and classes are designed to be balanced so that a wide variety of parties can be playable. Characters may change their class as they advance, allowing a variety of combinations.
The game itself is played from a first person perspective. Movement is fluid, whereas in previous Wizardry games it was grid-based. For the first time in the Wizardry series, players can see enemies approaching instead of having them pop up randomly. Combat is turn-based, although a continuous-phase mode can be toggled. Monsters are scaled to the party level; higher level parties will face different sets of monsters than a lower level party in the same area. The scaling is limited to allow variation in difficulty.
Wizardry 8 uses different statistics from the previous games, necessitating conversions from the upper limit of 18 to the new upper limit of 100.
For players seeking a more difficult challenge, Sir-Tech brought back an option to play using rules from the early Wizardry games – the "Iron Man Mode". In this "permadeath" mode, players are not allowed to save the game manually; instead, the game is automatically saved when the player quits.
There are many secret areas, including "retro dungeons", which hearken to the dungeons of (Proving Grounds of the Mad Overlord). Instead of vast, open views, players are greeted with a solid, traditional grid-based dungeon. Spinners, traps and teleporters are used.
Wizardry 8 was published nine years after the previous title, Wizardry VII: Crusaders of the Dark Savant in 1992, and five years after the completion of Wizardry VII's Windows 95 version, titled Wizardry Gold in 1996.
David W. Bradley had been the chief designer of Wizardry VI and VII, but he was not involved in the design of this game. After Bradley's departure, Sir-Tech outsourced the development of Wizardry 8: Stones of Arnhem to DirectSoft, their distributor in Australia. This team consisted of programmer Cleveland Blakemore (Grimoire: Heralds of the Winged Exemplar) and Actor Max Phipps.[1] However, this attempt failed and Directsoft disbanded, so they relaunched the project entirely with Sir-Tech Canada. Linda Currie is credited as producer of Wizardry 8. Brenda Romero was the game's lead designer.
In spite of a 'final save' after the final battle, Sir-Tech announced that they had no plans to make a sequel. The company later went out of business in 2003.
Despite the closing of the development studio, Sir-Tech continued to provide support and created several patches or upgrades for the game for years after release. This support was provided with the collective help of the Wizardry 8 developers who donated their time. Fans of the series have continued the efforts, providing editors, mods and game info.
Aggregator | Score |
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Metacritic | 85/100[2] |
Publication | Score |
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AllGame | ![]() ![]() ![]() ![]() ![]() |
Computer Gaming World | ![]() ![]() ![]() ![]() ![]() |
GameSpot | 9.1/10[5] |
GameSpy | 88%[6] |
GameZone | 8.5/10[7] |
IGN | 7.5/10[8] |
PC Gamer (US) | 89%[9] |
X-Play | ![]() ![]() ![]() ![]() ![]() |
The Cincinnati Enquirer | ![]() ![]() ![]() ![]() ![]() |
Wizardry 8 received "generally favourable reviews" according to the review aggregation website Metacritic.[2]
In 2017, Wizardry 8 made an appearance on IGN's "Top 100 RPGs of All Time" list at #99. Over a decade after the game's original release, IGN's Chris Reed praised the game's character creation tools and party system, citing the "stunning number of combinations to try in your party".[12]
Wizardry 8 was named the best computer role-playing game of 2001 by Computer Gaming World,[13] GameSpot and—tying with Arcanum: Of Steamworks and Magick Obscura—Computer Games Magazine.[14][15] RPG Vault, The Electric Playground, GameSpy and the Academy of Interactive Arts & Sciences nominated it as the year's top role-playing game, but gave these awards variously to Dark Age of Camelot, Arcanum and Baldur's Gate II: Throne of Bhaal.[16][17][18][19][20] However, it won RPG Vault's "Outstanding Achievement in Music" and "Lifetime Achievement Award" prizes.[20] GameSpot also named Wizardry 8 the year's tenth best computer game overall.[15]
While awarding the game, the editors of Computer Gaming World called Wizardry 8 "an awesome achievement. It's an old-school, turn-based unapologetically hardcore labor of love from veteran game makers who knew exactly what they were doing."[13] Those of Computer Games Magazine hailed it as "Sir-Tech's opus" and as "the best party-based loot-gathering dungeon-crawl you've played since Crusaders of the Dark Savant."[14]
Additional awards include:
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